Arthur Lyons Film Noir Festival 2017

art for Arthur Lyons Film Noir Banner 2017

Founded in 2000 by the late mystery writer, Arthur Lyons, this unique film festival presents an eclectic program of landmark and obscure movies from the classic film noir era at the state of the art Camelot Theaters in Palm Springs, California.

Produced and hosted by Alan K. Rode, the festival is accentuated by post screening discussions with an array of guest stars, book signings and other special events.

All-Access passes and individual tickets will be available during the week of April 2nd at: http://arthurlyonsfilmnoir.ning.com

 

 

ONE WAY STREET

 

Dinner with Alfonse: A Family Remembrance

 Alfonse at work
Alfonse at work


Grandfather lit up a Salem and recalled the young Joan Crawford as we sat around the dining table.  “She would do anything with anybody,” he said with a knowing wink.  Grandmother shushed him with  “Alfonse!” as she and Mom cleared the table.

Mom stamped her foot on the kitchen floor, interrupting the cat licking the butter stick on top of the table. Grandmother Levy laughed and recalled a story involving a cat and her Mother who had been a six-gun toting Texas constable.

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Thar She Blows!

Twilight Time releases a restored Blu-Ray of
John Huston’s essential Moby Dick (1956)

 

Moby-Dick-Twilight-Time

 

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The Season of Noir

The late spring and beginning of summer is my favorite time of the year in Southern California.  The roses are in bloom, the temperature in the San Fernando Valley hasn’t yet reached the upper extremes of a pizza oven and the birds sing all day.  It is also the time for cinematic darkness. The annual NOIR CITY, HOLLYWOOD film festival opens this Friday for its 18th season at the Egyptian Theater in Hollywood.  It is difficult for me to believe that I’ve been attending this festival since a screaming Lawrence Tierney was 86ed from the theater lobby. I’ve also been the co-programmer and co-host with my inspired comrade in noir, Eddie Muller.  With the American Cinematheque’s stellar programmer Gwen DeGlise, we have put together some memorable programs during the past decade, but perhaps none better than this year’s fest that opens on Friday April 15.

In addition to opening the festival with the Film Noir Foundation and Hollywood Foreign Press Association’s (HFPA) funded restoration of LOS TALLOS AMARGOS (THE BITTER STEMS), 1956 by the UCLA Film and Television Archive, our good friends at Universal Studios have struck new 35mm prints of cinematic treasures including ALL MY SONS (1948), FLESH AND FURY (1951), FLESH AND FANTASY (1943)  and MEET DANNY WILSON (1952) that haven’t been viewed on a theater screen for decades and are not on DVD.  The extraordinary festival line-up can be found on the American Cinematheque website

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DVDs